Which brings me to The Smyths at the Bush Hall. This seems to be quite an upgrade in terms of the size of venue the band normally plays. I saw them at the Kings Arms in Acton about 3 years ago and that environment suited them well. At first the step up to a rather larger establishment looks like it might count against the band as the place is only about a third full. The band takes the stage and mimic the 5-man line up of latter day Smiths which to most listeners indicated a beefed up sound in comparison the previous vegetarian 4-piece version.
However, once the guys take the stage there is a slight frisson of energy and the opening 'Stop Me' reclaims its soul back from Mark Ronson. It's a clever gambit opening with a song that has been firmly re-established in the modern age and is an effortlessly smart start. The band are tight and the vocals pass the 'close your eyes and you won't know the difference' test with more than enough to spare.
Theres a nice mixture of songs from all Smiths eras 'Handsome Devil', 'Cemetery Gates' through to 'Girlfriend in a Coma' as well as a smattering of solo Morrissey stuff like 'Irish Blood, English Heart' and a rather sprightly 'Suedehead' with the latter's sparkling guitar replicated fondly. It's announced that it's Will the guitar players birthday but there's no version of 'Unhappy Birthday' to celebrate which is a shame as the original band had that perverse sense of occasion that would have made this a fitting inclusion.
'Still Ill', a song covered by the Arcade Fire at their Ally Pally gigs, generates enthusiastic dancing at the front and it's now clear that this is going to be a joyous fun packed occasion with little concern about what anyone else thinks. The first set ends with a robust 'Barbarism Begins at Home' where Simon Hudson's bass takes centre stage and that hidden funky side of the group is showcased fully.
After a short break we're back into another 18 songs and the triple whammy start of 'You've Got Everything Now', 'What Difference Does It Make' and 'This Charming Man' transforms you back to that time when this group really did deserve their position as number one indie band bar none. Even today listening to the latter with its, "I would go out tonight but I haven't got a stitch to wear" refrain I'm reminded how humorous their lyrics were and also how they summed up a whole generation of guys who really didn't have any stitching ability or any matching fashion sense. The band really do capture the original sound and Graham 'Morrissey' Sampson has a presence that bears up favourably to Mozzers unique demeanour.
The loyal following of Smiths disciples also allows the band to play a selection of less known b sides and album tracks, such as 'Jeanne', 'Is it really so strange?' and 'Some Girls are Bigger than Others'. The Smiths were never just about the singles and any self-respecting fan would own the essential albums rather than be satisfied by any greatest hits disc (great though these are). The fantastic 'There is a Light' engenders the biggest sing along of the night which always makes me smile as hearing a room (half) full of people singing "..And if a ten tonne truck crashes into us...to die by your side, the pleasure the privilege is mine" seems the most unlikeliest one to unite a crowd. Hopefully everyone avoided the pleasure and privilege of a ten tonne truck on their way home. That would spoil the night really.
Before long 'How Soon is Now' is helping to recreate a baggy-dancing vibe and then theyre off. A quick and slightly disappointing 'Interesting Drug' (the song that is) and their is a light on and it's time to call it a day.
In the tribute band league The Smyths would be comfortably in the UEFA cup places and maybe just short of Champions League. They fulfil a much-needed function by allowing a recreation of a legendary band. Whilst Morrissey continues to try to re-boot a certain credibility and relevance in today's market The Smyths have saved the prototype to their own hard drive and can open up an amazing selection of songs for a welcoming generation. There's always room for that.
FUTURE GIGS
- date performer venue price
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Fri 26 Apr 2024
The Smyths
Norwich
The Waterfront
[NR1 1QH] £17.00
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Fri 17 May 2024
The Smyths
Hertford
Corn Exchange
[SG14 1AL] £17.00
-
Fri 24 May 2024
The Smyths
York
The Crescent Working Mens Club
[YO24 1AW] £17.50
SOLD OUT -
Fri 7 Jun 2024
The Smyths
Milton Keynes
The Crauford Arms
[MK12 5LT] £17.50
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Sat 8 Jun 2024
The Smyths
Camden
Electric Ballroom
[NW1 8QP] £20.00
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Sat 8 Jun 2024
The Smyths
Camden
Electric Ballroom
[NW1 8QP] £20.00
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Fri 28 Jun 2024
The Smyths
Stoke-on-Trent
The Sugarmill
[ST1 1DR] £17.50
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Fri 5 Jul 2024
The Smyths
Hitchin
Club 85
[SG5 1PZ] £17.00
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Sat 6 Jul 2024
The Smyths
Northampton
Roadmender
[NN1 3AH] £17.00
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Sat 20 Jul 2024
The Smyths
Wolverhampton
Starworks Warehouse
[WV2 4DU] £20.00
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Fri 26 Jul 2024
The Smyths
Worthing
The Factory Live
[BN14 8BX] £18.00
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Fri 2 Aug 2024
The Smyths
Bedford
Esquires
[MK40 2QG] £17.50
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Sat 31 Aug 2024
The Smyths
Margate Kent
Dreamland
[CT9 1XJ] £20.00
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Fri 6 Sep 2024
The Smyths
Brighton
Concorde 2
[BN2 1EN] £18.50
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Thu 19 Sep 2024
The Smyths
Leeds
Brudenell Social Club
[LS6 1NY] £17.50
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Fri 20 Sep 2024
The Smyths
Leeds
Brudenell Social Club
[LS6 1NY] £17.50
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Sat 21 Sep 2024
The Smyths
Leeds
Brudenell Social Club
[LS6 1NY] £17.50
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Sat 5 Oct 2024
The Smyths
St Albans
The Alban Arena
[AL1 3LD] £18.00
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Fri 18 Oct 2024
The Smyths
Derby
The Flowerpot
[DE1 3DZ] £17.00
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Fri 15 Nov 2024
The Smyths
Nottingham
The Rescue Rooms
[NG1 5GG] £17.50
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Sat 16 Nov 2024
The Smyths
Leamington Spa
The Leamington Assembly
[CV31 3NF] £20.00
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Fri 6 Dec 2024
The Smyths
Huddersfield
Tokyo
[HD1 2SP] £17.50
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